The Canadian Red Ensign

The Canadian Red Ensign

Thursday, April 16, 2026

Christian Nationalism?

The subject of “Christian Nationalism” has been much discussed as of late.  A friend and classmate from my theological studies in Otterburne in the 1990s has been decrying it all over social media.  His assessment of it relies upon the acceptance of a number of axioms that progressives regard as self-evident but which I correctly consider to be bunkum.  Needless to say I do not share his perspective.  My rejection of my friend’s fatally flawed opposition to Christian Nationalism should not be taken as an endorsement of it.  Quite the contrary.  Recently, the administrator of an Anglican social media forum opened a discussion thread on the subject.  This essay is for the most part an expansion of my response.

 

To answer the question of whether or not nationalism can be Christian in any real, orthodox, sense, we need to first determine what nationalism is.  The best way that I know to do this, is by distinguishing nationalism from something much older than nationalism with which it is often confused.  That something is patriotism. 

 

Patriotism belongs to the category of natural affections.  Think of the love that under ordinary circumstances a child feels for his parents and a parent feels for a child.  These are natural affections, loves that unless something happens to impede them, everyone naturally develops.  The love of home, which the late Sir Roger Scruton called oikophilia, is another such natural affection and one that is very similar to patriotism.  Patriotism derives its name from the Greek word πατρίς (πάτρα in some dialects, such as Homeric Ionic) and its Latin cognate patria, both of which mean “native land” or more literally, since they are themselves derived from the word for father, “fatherland.”  Patriotism is the affection, attachment, and love that one feels for one’s homeland, one’s country, as naturally as one loves one’s parents and offspring.

 

Patriotism, like all natural affections, has been regarded as good and virtuous from time immemorial.  To illustrate, consider the thirtieth verse of the first book of Homer’s epic Iliad which is the verse in which the word πάτρα appears for the first time in Homer.  This appears in the portion of the poem where Homer is providing the background story to the wrath of Achilles which brought all sorts of nastiness upon the Greeks from his breech with Agamemnon until their reconciliation after the death of Patrocles at the hands of Hector which is the main theme of the epic.  Chryses, the priest of Apollo, has come to the Greek encampment to buy the freedom of his daughter whom Agamemnon holds as a war prize.  His graceful address and his offer of an extremely generous ransom has won over all the other Greeks but infuriated Agamemnon, king of Mycenae and Argos and general leader of the Greek expedition against Troy.  Agamemnon responds with an extremely rude and ill-tempered speech in which he orders Chryses away from the encampment and the ships, warning him that if he catches him there again the symbols of his priestly office will not protect him.  Then, to add insult to injury, he adds in verses twenty-nine and thirty the following:

 

τὴν δ᾽ ἐγὼ οὐ λύσω: πρίν μιν καὶ γῆρας ἔπεισιν

ἡμετέρῳ ἐνὶ οἴκῳ ἐν Ἄργεϊ τηλόθι πάτρης

 

This means “but your (daughter) I will not release, until old age finds her also, in our house in Argos far from her fatherland.”  The insult extends into the next verse where it gets much cruder and Agamemnon’s speech into the verse after that but we have arrived at the point. 

 

The words τηλόθι πάτρης, “far from her fatherland” are intended as a particularly cruel twist of the knife here.  Obviously, Agamemnon was going out of his way to say that he will do the exact opposite of what Chryses had requested, but in stressing the distance of his palace from the girl’s homeland he was also saying that he will inflict upon her what he and all the Greeks were themselves suffering at that point in time.  The Iliad is set in the last year of the ten year siege of Troy.  The Greeks had been τηλόθι πάτρης themselves for a long time and were feeling the effects of it, as Agamemnon’s speech as a whole and the bitter strife that would soon thereafter divide him from Achilles demonstrate.

 

Homer’s ability to communicate this in this way rests upon the common understanding between him, his hearers, and his readers down through the generations, that one’s πάτρα is to be loved and cherished and that to be far from it is misery.  

 

So again, patriotism is a natural affection, a feeling of love akin to love for one’s family and home.  This has many implications.  One, is that patriotism has nothing to do with how you think your country compares to other countries.  Patriotism may incline you towards thinking that your country is the best in the world but it is never based on thinking this.  The patriot loves his country because she is his and not because he thinks her to be better than such and such other countries.  Patriotism has nothing to do with whether or not one’s country is “great.”  While children often go through a “my dad can beat up your dad” phase they ordinarily grow out of it.  Someone who persists in talking this way into adulthood does not demonstrate a healthy filial affection but rather a case of arrested development.  The same applies to love of country.

 

From this implication, we can infer further that patriotism is not naturally bellicose.  Since love of country, like love of family and home is natural to humanity, and since it is not based on concepts like “greatness” that measure one’s country against others, it is not threatened by other people loving their other countries nor does it impel one to threaten others.  Patriotism is a great motivation to fight defensively in war, that is to protect one’s country, but it is no motivation to wage aggressive war against others.

 

Samuel Johnson, the eighteenth century lexicographer, famously said “Patriotism is the last refuge of a scoundrel.” (1)  James Boswell, his biographer, from whom we have the account of this and Dr. Johnson’s other table-talk, immediately after recording it explained “But let it be considered, that he did not mean a real and generous love of our country, but that pretended patriotism which so many, in all ages and countries, have made a cloak for self-interest.” (2)  The conversation took place in 1775 in the midst of the controversy that would lead to the American Declaration of Independence the following year.  The year previous, Dr. Johnson had expressed his thoughts on the American rebels-to-be and their gripes in a pamphlet entitled The Patriot.  There is little doubt as to who the scoundrels were to whom Dr. Johnson referred.

 

Although Boswell put it in terms of real versus pretend, patriotism, and this was not a wrong way of describing it, from the standpoint of hindsight it could be said that what had occurred was the emergence of a new thing which was not patriotism as we have described it but which had not yet been given a name of its own and so for a time it shared the name of the age old love of country.   Did Dr. Johnson himself see that there were now two things sharing one name?  In his Dictionary he defined patriotism as “Love of one’s country; zeal for one’s country.”  Most likely he meant this as a single definition, certainly in The Patriot he spoke in Boswell’s terms of real versus pretend, but it is interesting that the two phrases from his definition could be taken as defining the two different “patriotisms” of the time.  Zeal is not the same thing as love.

 

The American Revolution was a war cast from the mold of Lucifer’s rebellion against God.  So was its antecedent, the Puritan rebellion against Charles I, but Crowell et al., had wrapped themselves in the hypocritical piety of their legalistic Calvinism.  The propagandists of the American Revolution such as Thomas Jefferson and Thomas Paine (“the infidel Paine”) whose minds were steeped in the skepticism and deism of eighteenth century philosophy had no such recourse and so justified their actions by appealing to the ideals of “Enlightenment” liberalism, a philosophy born out of explicit rejection of the Christian faith of the civilization of the age that preceded the Modern.  Since such justifications had little popular appeal in a day in which the Age’s retreat from Christianity was still in its early years – past infancy, not quite in adolescence yet – their cloak when taking their ideals public was patriotism.  It was not the age-old natural affection patriotism but the new thing that had not yet come into its name but was still borrowing the name of the old patriotism and so rightly decried as a pretender by Dr. Johnson and Boswell.  The term that would become its name was around - Johann Gottfried von Herder had used it in a treatise in 1772 – but had not yet become attached to the thing.  In the French Revolution, born out of the same false ideals as the American and in which the bloody fruit of those ideals was much more naked, opening the eyes of Dr. Johnson’s friend Edmund Burke to the nature of these “armed doctrines”, the name and the thing would find each other.  That name is nationalism.

 

The name nationalism is obviously derived from the word nation.  The word nation comes ultimately from the Latin verb nascor “be born” through its third principal part natus sum, “have been born” (3).  Natio, the noun derived from this verb could mean the act of birth but it also mean a tribe, kin group, or people united by a common birth or line of descent.  It carried this second meaning but not the first into Modern tongues like English where it became nation.  Here we see an indication of a divergence from patriotism.  Patriotism is love directed towards one’s country – a place.  Nationalism is – something, we will consider what momentarily – directed towards one’s people group.

 

This difference should not be exaggerated. The closest natural affection to patriotism is the love of home.  This too is a love of place.  Home, however, is the place where your family is.  Love of family and love of home cannot be separated and similarly patriotism is not a love of the land considered abstractly apart from the people and institutions and way of life. 

 

That having been said, the history of nationalism shows that this difference is important.  If patriotism is the love of home writ large, as in Edmund Burke’s “little platoons” account of it, nationalism is tribalism writ large.  While there is something to be said for the group loyalty of tribalism, that aspects of it need to be suppressed for there to be the rule of law and order necessary for civilization is the fundamental message of Aeschylus’ Oresteia.  It is also the reason for various provisions of the Mosaic Law, most obviously the refuge cities.  This is good reason to be wary of something that is basically tribalism but with the tribe the size of a Modern nation.

 

The history of nationalism demonstrates that it does not belong to the same class or category, natural affections, as patriotism.  From the beginning nationalism has been characterized by a belligerence towards others.  In the American Revolution, when it was still going under the name it borrowed from true patriotism, the belligerence was directed towards the larger society, the British Empire, of which it had been a part.  In the French Revolution, the violence initially directed against the society’s own traditional institutions and upper classes quickly turned on anyone suspected of disloyalty to the Revolution and its leaders and as this “Reign of Terror” started, Revolutionary France declared war on its neighbours who had militarized their borders in an effort to contain the revolution.  While the Reign of Terror ended with the arrest of Robespierre and the dawn of the Thermidor Reaction in July 1794 neither the wars nor the nationalism impelling them ceased with it and a general who had won his initial fame in those wars would before the eighteenth century ended launch the first of the serious of conquests which along with his simultaneous rise to power in the civil government would twice make him Emperor of France.  Among Napoleon’s generals, at least according to a play from the 1830s, (4) was a man named Nicolas Chauvin who refused to give up Napoleon’s imperial cause even after it was clearly over and Napoleon dead, and whose name became synonymous with an imperialistic nationalism that sees other peoples as existing only to be crushed, conquered and subdued by one’s own (although from the second wave of feminism in the middle of the twentieth century it has come to be more commonly used for males with enough self-respect not to buy into feminism’s lies but not enough sense to be subtle about it).  

 

A century after Napoleon’s death an Austrian-born German nationalist would become the leader of a small German socialist party to whose name he would attach the German word for nationalist.  As leader of the National Socialists, he began his rise to power by exploiting Germany’s grievances over the loss of World War I and promised to restore Germany to her glory by building a Reich that would last a thousand years.  Shortly after having won the office of Chancellor in 1933, he secured himself in that office by declaring a state of emergency after an arson in the Reichstag (German parliament building) and using the emergency powers this granted him to transform his office into that of a dictator and Germany into a single-party totalitarian state that resembled nothing so much as the Soviet Union which the Bolsheviks had created in Russia.  Hitler remilitarized Germany then began seizing territory such as his country of birth, Austria, which had historically been German-speaking but never part of the Germany that Otto von Bismarck had forged under the Prussian House of Hohenzollern (at the time she was the centre of her own empire under the Hapsburgs), by bullying and threats and exploiting the fact that the other powers were desperate to avoid the outbreak of a second war.  Then, having made a pact with the Soviet Union to divide Poland between themselves, he invaded that country, launching World War II in which he, like Napoleon before him, conquered most of Europe, before repeating Napoleon’s fatal mistake of trying to seize Russia.

 

Hitler’s nationalism was particularly belligerent against other peoples because it was wed to his belief that the races of humanity were locked into a Darwinian struggle for existence that was a zero-sum game (5) in which there could be only one winner.  While this was unique to National Socialism, in its three centuries nationalism in general has consistently demonstrated a hostile attitude towards other nations that is far removed from the irenic love of country that is true patriotism.  One final detail about Hitler deserves mention here.  On 19 March, 1945 as the Red Army was rapidly approaching Berlin while the American commander disgracefully held back the Western Allies, a little over a month and one week before he and his bride ended their lives in his bunker, Hitler issued the “Destructive Measures on Reich Territory” decree, ordering the destruction of the civil infrastructure of Germany.   Fortunately for the Germans, Albert Speer made sure this insane “Nero Decree” was not carried out.  Hitler had ordered the Germans to reduce their own country to the stone age in order to spite the Russians, but by this point in time he was convinced that the Russians had won the Darwinian struggle and that the Germans, having failed him, had lost and were not worthy to survive.  A nationalist could come to this horrid conclusion.  A patriot never could.


This is because patriotism has nothing to do with how one’s country and her people compare to other countries and other people.  It is a love that comes naturally.  Nationalism is concerned with how big and strong and powerful and great its country is and if its country fails the nationalist can easily turn on it as Hitler turned on Germany at the end.  Nationalism is not a love, a natural affection at all.  It is an ideology, a zealous commitment to the idea of one’s country as the greatest and best.  The nationalist will demand that his country be made great again.  Love, however, “envieth not…vaunteth not itself, is not puffed up.” (6) The patriot loves his country as she is and if he is a Christian patriot will be far more concerned with his country’s goodness than her greatness.

 

Nationalism then is an artificial substitute for the natural love of country that is patriotism, a substitute that could only have been produced in the Modern Age.  This is because it is the product of the Modern idea of democracy.  The emphasis in the previous sentence is on the word Modern.  Modern democracy is not the same thing as the democracy of ancient Athens.   Nor is it the democracy that is an aspect or element of the traditional institution of parliament that developed long before the Modern Age, although it has grafted itself onto that democracy and corrupted it.  Modern democracy is an idea that comes from Modern liberal philosophy, which philosophy was thought up by Modern men thinking Satan’s thoughts after him. 

 

We have already touched on this in discussing the American Revolution and the origins of nationalism.  Satan became Satan by rebelling against the Sovereign King of all His Creation, God.  He was so full of himself, so proud of his own beauty and other fine qualities – gifts God had given him – that he thought he ought to rule the universe instead of God.  Modern man looked around at Christendom, the Christian civilization into which he had been born, and thought that he could think up a better way of organizing things that would eliminate most or all of human suffering, and rebelled against the civil and ecclesiastical authorities of Christendom.  The semi-Pelagianism that had crept into the Western Church towards the end of the Middle Ages which the Reformation in its theological reforms sought to correct was perhaps the initial impetus for this kind of hubristic thinking, although the Calvinists, the most Augustinian of the Protestants at least in their own conceit, were the first of the Modern rebels.  Pelagianism was the early heresy that rejected Original Sin.  A firm grasp on Original Sin is a preventative for thinking that humanity can achieve its own salvation by political means.  In the Fall, man lost the Paradise in which he had been placed at his creation.  Paradise awaits man, redeemed by God through Jesus Christ, after the Second Coming.  In between, as we struggle against our own sinful tendencies, there will be no elimination of the suffering that is born out of our fallen sinfulness but which, having been borne by Christ Himself to the cross, is the path down which we are called to follow Him.  This does not mean that we are not to try to alleviate the suffering of others, to the contrary, just as He healed the sick and made the lame to walk and gave the blind their sight, so we are commanded to do good to others. (7)  It means that we are not to think that by doing so, much less by outsourcing this work to the government, we can eliminate suffering and create a Paradise in this life.

 

The Modern idea of democracy, again as distinct from the ancient idea of democracy and the democracy that developed historically as part of our traditional parliamentary system, comes directly from liberalism’s belief that it can create an earthly Paradise and that it is justified in following Satan’s example of rebellion in order to do so.   The constituted authorities, the king and the Church, should have eliminated human suffering and made a Paradise.  That they didn’t do so means they need to be torn down and replaced with government by the people in whom sovereignty will now be vested.  That is the idea of Modern democracy, although liberals rarely put it so starkly, and it is utterly Satanic. It is also the idea that had to be thought first, before that artificial inferior substitute for patriotism, nationalism, could arise.  The sovereign people of Modern democracy is the nation of nationalism.

 

Nationalism then, in its historic sense, belongs to the Modern Age’s revolt against Christianity and so can hardly be called Christian.  There is a question, of course, as to whether what those who call themselves Christian Nationalists today mean by nationalism is nationalism in its historic sense.  Just as the first nationalists called themselves patriots so there have been those who have used the word nationalism to mean something closer to patriotism.  From what I have seen of self-designated Christian Nationalists this is not the case with them although that doesn’t immediately translate into their nationalism being the historical type either.  They have taken up the label of nationalist in reaction against the post-World War II movement towards re-orienting everything to an international or global scale with which they associate the increased secularism of the era.

 

While I am in complete agreement with their opposition to secularism and also detest the general way in which the world has been re-organizing itself since World War II, I do think that the Christian Nationalists have overlooked a number of things in coming to their position.  Secularism, while it has gotten much worse in the post-World War II era, is not the product of that era.  The first secular country was the United States of America (8) and the second was the French Republic formed in the French Revolution.   Secularism was joined at birth to nationalism. 

 

Also overlooked is a fact pertaining to progressive liberalism’s aggressive push after World War II to dissolve national identities, or at least those of the civilization formerly known as Christendom, both by submerging them in larger identities and breaking them down through large scale immigration.   While this is on the surface obviously an overreaction to Hitler, on a deeper level, one of which the progressive liberals themselves are almost certainly not consciously aware, an attempt to fill a void created by Modern liberalism.

 

In Christendom – Christian civilization – allegiance was not directed inwards, towards the people as a group, but upwards, ultimately to God in Heaven, but along the way to the sovereign, the king, in the civil sphere, and to the Catholic – universal – Church in the religious sphere, which spheres while distinct, overlapped.   

 

The king in Christendom, whether he reigned over a single realm or a vast empire, was what he is in the New Testament – God’s minister, to whom Christians are commanded to submit and to honour (1 Pet. 2:13, 17) and for whom they are commanded to offer supplications, prayers, intercessions, and giving of thanks (1 Tim. 2:1-3). (9)  As God’s minister, he represented in the civil sphere that was his realm, the universal government of the King of Kings, which is a much higher sense of representational government than that of representational democracy. 

 

The Church was called Catholic for a number of reasons, the one of which that is germane in this context being that she transcended the boundaries of realm, empire, and nation and was a universal institution that was one wherever she was found.  In every kingdom and empire, she had One Lord in the sense of a divine Master higher than any earthly authority.  No matter where she was she confessed One Faith in the words of the ancient Apostles’ and Nicene Creeds.  Anyone from any country anywhere in the world could join her through her One Baptism in the name of the Father, Son, and Holy Ghost.  While this concept did not disappear in the sixteenth century Reformation at the beginning of the Modern Age, neither did it pass through that period unscathed, especially in external practice.  On both sides of the Reformation divide, other things came to took precedence over the aforementioned matters in which the unity and Catholicity of the Church are to be found. (10)  A tremendous blow was dealt to the external unity of the Church and in the separation that followed, between the followers of the papacy and the Protestants, between the Lutherans and the Reformed, and between all of the above and the myriad of smaller separatist groups, each communion developed an inward gaze in which its own identity and distinct doctrines were regarded, in practice at least, as more important than the One Lord, Faith, and Baptism.

 

Mercifully, the office and institution of king survived the Modern Age in several countries, including my own, and forces aligned against the Catholic Church will, as Christ has promised, never prevail.  The position of both king and Church was weakened from what it was in Christendom, however, by the spread of the now ubiquitous notion of popular sovereignty and the fracturing of the Church into denominationalism which both involved a re-orienting of the gaze away from that which is higher, upward, and beyond, internally towards self, albeit in these examples the self of the group rather than of the individual person, the inward focus on which was also developing at the same time, all of these in accordance with the general shift from the theocentric outlook of Christendom to the Modern anthropocentric one.  It is that which pulls us out of ourselves and directs us to that which is higher and beyond ourselves that civilizes us, however, and this general inward reorientation of outlook of the Modern Age, by weakening these upward influences has created a vacuum into which different types of civilization-threatening barbarism enter.  The extreme nationalism of the World War II era was one such barbarism.  After the war, progressive liberals, realizing the need for a higher allegiance but, being progressive liberals, unwilling to turn to God, king, and Church, attempted to create various artificial substitutes in international, regional, and even world-level associations, organizations, and quasi-governmental bodies, but the soulless, toxic, bureaucratism that accompanied these at every level proved this to be but another form of barbarism.

 

So-called Christian Nationalism is a response to this other type of barbarism.  Unfortunately, it is no solution because it is enmeshed itself in the Modern way of thinking that produced the problem.  This is evident, not merely in its embrace of nationalism, the Modern artificial substitute for natural patriotism.  It is also evident in the kind of Christianity that it weds to nationalism.  While not all Christian Nationalists are evangelicals the form of Christianity that went into making Christian Nationalism is evangelicalism, not as Dr. Luther and the Reformers used this word nor as it was historically used in the Church of England nor as it is used in Europe today, but evangelicalism in a distinctly North American sense of the word, which evangelicalism, for all that it has to commend itself, has a very unhealthy tendency to confuse Christianity with Americanism.  Americanism, however, is a variant of liberalism, the ideology that drives the Modern Age’s movement away from God and Christianity. 

 

Nationalism, we observed earlier, is tribalism writ large, and tribalism is very much an apt description of Christian Nationalism’s approach to the various social, moral, and cultural problems that have arisen in our countries due to the transformation of Christendom into secular, liberal, Western Civilization over the course of the Modern Age.  That approach is to treat these as battlegrounds in a power struggle between groups, with our group, Christians, on the one side and some other group or groups on the other side, and to regard the government as an instrument (and an instrument in battle is called a weapon) with which to defeat the other group.

 

Interestingly, this way of looking at things has certain things in common with the thinking of the progressive liberals who abhor Christian Nationalism.  Progressive liberals as well, and all the more so the more the progressive takes dominance over the liberal in their thinking, tend to see everything in terms of power struggles between groups.   For Christians, however, this way of looking at things ought to be anathema.  Eph. 6:12 tells us that our struggle in this world is not against other people, but against the spiritual powers of darkness in this world.  Moreover, in this the Christian Nationalist approach bears more than a passing resemblance to the error at the heart of all progressive thinking, the belief in a political salvation.  Indeed, I would say that the resemblance to progressive salvation-through-political-means is far deeper than whatever surface similarity there may be between the Christian Nationalist idea of the role of government and the classical Tory view, of necessity more reactionary than conservative in the current political climate, that in my view is the closest thing there is to a translation of orthodox Christianity into the language of civil politics.  Where Christian Nationalism and Toryism bear a superficial resemblance is that we both reject the liberal notion of the separation of Church and State.  This liberal idea, the root from which all forms of secularism sprang, began as an argument for limiting the powers of the State but inevitably became an argument for limiting the influence of the Church while exponentially expanding that of the State.  Classical Toryism rejected this idea as an assault on the order of Christendom in which the king and the Church had distinct roles, distinct tasks to do, distinct spheres in which to do those tasks, and distinct powers with which to do them.  The king was not the instrument of the Church, he was to do his job rather than the Church’s. The Church was not the instrument of the king, she was to do her job rather than the king’s.  If both did their jobs well, it would work for the good of the other, because ultimately their roles, tasks, spheres, and powers came from God and were complementary.  Christian Nationalism, by contrast, which, incorporates liberalism through the Americanism it blends with its Christianity, rejects liberalism’s separation of Church and State, not in favour of the old order but of one in which the State is the instrument of the Church.

 

This has further diminished the Christianity of a movement, the Christianity of which was already diminished by being blended with Americanism.  The attitude that is visibly on display in the movement looks a lot more like hubris than humility.  Apart from being the very opposite of Christ’s own example and what He enjoins upon His followers and apart from being utterly unappealing and ugly in itself, this is counterproductive if we regard one of the challenges that Modern liberal secularism has created to be the re-evangelism of our civilization.  Look back to the early centuries of the Church when, facing the hostility of both the culture of the pagan Roman Empire and of those Jews who did not recognize Jesus as the Messiah, the early Christians first set about the task of evangelizing the ancient world.  They did so, not by political activism and organization, but by imitating Christ’s example and obeying His command to take up their cross in humility and follow Him to the point of martyrdom.

 

In Canada as in the United Kingdom and other Commonwealth Realms, I have said often in the last few years that we are fortunate to have as our hereditary Sovereign a man who chose to modify his coronation service so that being welcomed into Westminster Abbey with the words “Your Majesty, as children of the Kingdom of God we welcome you in the name of the King of Kings” he responded with “In his name, and after his example, I come not to be served but to serve.”  I have noted the huge contrast between this and the attitude of the egomaniacal narcissist around which the MAGA cult, which overlaps Christian Nationalism to a large degree, especially in the United States, is centred.  Last week, as Western Christians celebrated the Resurrection of Jesus Christ and as Eastern Christians on the Julian calendar entered their Holy Week in preparation for the celebration of the Resurrection, and as the aforementioned Yankee narcissist thought it appropriate to mark the occasion with a threat to destroy an entire civilization in war, (11) many infected with the Christian Nationalism we have been discussing attacked His Majesty in a most unchristian manner.  As the king himself was observing the Sacred Triduum from the Maundy Thursday service at St. Asaph Cathedral in Wales to the celebration of Easter in the traditional Matins service at St. George’s Chapel in Windsor Castle, these “Christian” Nationalists attacked him for not recording a video Easter message.   The words “not recording a video” are the operative words here.  He did issue an Easter greeting on the social media platform formerly known as twitter.  He wished Christians around the Commonwealth a “Happy Easter” and gave the simple but powerful message “He is risen!”

 

The controversy was entirely manufactured on the part of His Majesty’s “Christian” critics. Although he recorded a video for Easter last year, it has not become an established royal tradition for the monarch to do so as it has to record one for Christmas.  The king’s critics complained that he had sent a message to Muslims wishing them a happy Ramadan and accused him of everything from abandoning his role as Defender of the Faith to being a crypto-Muslim.  Anybody who took the time to compare – in good faith, mind you – what the king said to his Muslim subjects and what he said at Easter this year and last, would recognize that the fundamental difference between a greeting addressed to Muslims and a Christian message such as “The abiding message of Easter is that God so loved the world — the whole world — that He sent His Son to live among us to show us how to love one another, and to lay down His own life for others in a love that proved stronger than death” from last year’s video or this year’s more simple “He is risen” shows the utter stupidity of these accusations and conspiracy theories.

 

Through all this His Majesty has shown a far better understanding of how a Christian king ought to act towards his subjects of another religion than how these “Christians” have shown of the honour and submission Christianity requires of us towards our temporal king regardless of his personal religion.  The title “Defender of the Faith” was originally conferred on the king for writing a treatise defending the seven sacraments against the criticisms of Dr. Luther in his Babylonian Captivity.  Within the same reign, it was redefined to mean one who defended the Church in his realm against foreign claims of jurisdiction, including that of the foreign power that had bestowed the title in the first place.  Over the course of the century that followed it came to include the defence of the reforms made to that Church in subsequent reigns.  Today, His Majesty’s critics think that it should be given a tribalistic interpretation that has little if any connection to its historical development and which is fundamentally at odds with the basic nature and duty of the office of king, to reign over his realm from a position above partisanship representing law and justice for all.  Whatever corrections from the standpoint of orthodox theology, His Majesty’s views of the relationship between Christianity and other religions might be better off for, they are far preferable to those of the critics who interpret any remarks about Islam that are not bellicose and condemnatory as “promotion” or “preference.” (12)


While not all of these critics would identify as Christian Nationalists they are generally people who have allowed the Christian Nationalist perspective to influence their thinking just as Christian Nationalism has allowed the fundamentally anti-Christian Modern ideologies that it has embraced to warp its version of Christianity.  Followers of Christ should avoid such a movement.  We should love our countries as patriots, honour, pray for, and submit to our earthly king if we are fortunate enough to have one as Scripture enjoins, place the orthodox faith of the Creeds of the early centuries when the Church was undivided ahead of sectarian emphases on lesser matters that pit Christian against Christian and Christians against everyone else in “struggles against flesh and blood”, and take up our cross and follow our Lord’s example of humility rather than hubris.

 

(1)  It is usually misquoted with the definite rather than indefinite article.

(2)   James Boswell, Life of Johnson, April 7, 1775.

(3)   This is a deponent verb – it doesn’t have the regular active voice forms, and has only three principal parts, the third being what would be the fourth in a regular verb (the perfect passive participle).

(4)   Charles-Theodore and Jean-Hippolyte Cogniard, The Tricolour Cockade, 1831.  Whether Chauvin existed or was a fiction created by the Cogniards is a matter of dispute.

(5)   In game theory a zero-sum game is one in which the gains of the one player equally match the losses of the other player so that together they cancel each other out to produce the net sum of zero.

(6)   1 Cor. 13:4.

(7)   Compare the works which Isaiah prophesied that Christ would do Is. 61:1-3 with those for which Christ said He would reward His sheep in Matt. 25:34-40.

(8)   Progressive liberals in my country, Canada, both amuse and disgust me when they say foolish things about secularism distinguishing us from the United States.  Secularism is the American tradition, not ours.

(9)   These instructions from SS Peter and Paul, were not written to Christians living under a Christian king, the king in question was the Roman Caesar and specifically Nero whose reign encompassed the period in which the Apostles were writing. 

(10)                       On the one side, they doubled down on their insistence that the papacy was given universal jurisdiction over the Church that had previously played a role in dividing the Eastern Church from the Western Church.  By declaring the Church to be absent where the jurisdiction of the pope is not acknowledged, they elevated the papacy above the One Lord, Faith, and Baptism.  On the other side, the doctrines that would later be somewhat inaccurately summarized as the Five Solas, were similarly elevated.

(11)                       This man, who regained his office as head of the New Rome and its beastly empire in a campaign that saw him take a gunshot to the head, drop to the ground as if it had taken him out, then, since it had only grazed his ear, bounce back up fighting (Rev. 13:3), has since outdone this by posting a blasphemous picture of himself as if he were Jesus on the Eastern Pascha (Easter) of the Julian calendar.  This was done in the midst of a controversy between himself and the current Roman Patriarch over the pope’s opposition to his war in Iran.

(12)                       His Majesty’s critics have circulated a meme quoting a speech he gave as Prince of Wales in 1993.  The meme is rather mendacious as it implies the words are recent.  The quotation, “More than this, Islam can teach us today a way of understanding and living in the world which Christianity itself is the poorer for having lost” should be read in the context of the entire speech entitled “Islam and the West”.  In that context, it is about the pre-Modern holistic – he used the word “integrated” - view of Creation.  In the same speech, and shortly thereafter, he said “At the core of Christianity, there still lies an integral view of the sanctity of the world, and a clear sense of the trusteeship and responsibility given to us for our natural surroundings.”  Note how he said the West “gradually lost this integrated vision of the world”.  It was “with Copernicus and Descartes and the coming of the scientific revolution”, in other words, the very anthropocentric view of the world succeeding the theocentric view of pre-Modern Christian civilization that I have criticised as liberalism repeatedly in the text of this essay. 

 

While some might not like the way he treats the pre-Modern integrated view of Creation as common to all religions, I would point out that Christianity’s claims to uniqueness have never rested on this point, but upon God’s having visited His Creation in a unique manner by becoming Man in the Incarnation, and upon His having accomplished the salvation of the world from human sin through His having died for us and rose again, none of which is questioned or even the matter at hand here.  That all religions contain truth, is in fact, the teaching of orthodox Christianity.  This is because religions are derived from natural revelation (the kind St. Paul talks about in the first chapter of Romans).  Christianity’s claims to uniqueness pertain to special revelation, the historical special revelation of the Gospel. 

 

St. Justin Martyr in the second century argued that the Divine Logos, which in the preamble to St. John’s Gospel is identified with God and specifically the Person of the Trinity Who became incarnate as Jesus Christ, had planted seeds of Himself throughout the nations prior to His Incarnation, that these had born fruit as philosophy, and that to the extent the ancient philosophers followed the Logos they could be regarded as Christian.  The opposite view, that pre-Christian philosophy contained nothing of value to Christianity could also be found if inconsistently practiced, most notably in Tertullian, but it is difficult to read the New Testament in the original Greek and side with Tertullian. 

 

Where I would respectfully disagree with the speech, which remember was given over thirty years ago, is that, while his overall argument that no one group has a monopoly on either truth or extremism is substantially accurate, the idea of holy war is, in my opinion, more integral to the essential theology of Islam than most other religions.  His Majesty did say, at the beginning of those remarks, that he was not an expert on the subject, however, and I would point out that those who are so quick today to jump on anything positive said in the direction of Islam usually do so for reasons that are less rooted in the differences between Christianity and Islam than they are in the United States’ post-Cold War conflict with the Islamic world.  This conflict arose in part out of the United States’ arrogant belief that she could do whatever she wanted anywhere in the world with impunity, in part out of the United States’ being the spearhead of Modern, materialistic, liberalism, in part out of her having armed and trained the more militant factions of Islam to use against the Soviets in Afghanistan at the end of the Cold War, and in part by much of Christianity in the United States having been deformed by heretical notions, such as the idea that the religion which shares a common pre-Gospel history with Christianity but which is explicitly built on the rejection of Jesus as the Christ, the Middle-Eastern state constructed by adherents of which religion has a vested interest in destabilizing the countries mostly populated by Muslims in the region, is owed some type of allegiance by Christians.

Wednesday, April 8, 2026

Thoughts for Eastertide

 He is risen!

 

In each of the Gospel portraits of Jesus Christ the events of a single week occupy a sizeable portion of the text.  This is the week which began with His triumphal entry into Jerusalem, riding on a donkey in fulfilment of the prophecy of Zechariah, and thus publicly announcing Himself to the nation as the long-awaited Messiah.  This is the week which ended on the Sabbath in which in the visible world His body lay in the tomb in which Joseph of Arimathea had laid it while in the invisible world He in spirit had entered the other Kingdom of Death not as those who had gone there previously, a captive, but as a Conqueror. (1)  In this week, the week of Creation is recalled and fulfilled.  On the day corresponding to that in which God said “let there be light”, Christ, the Light of the World, announced Himself publicly.  On the day corresponding to that in which God made man in His Own image and so finished His work of Creation which He pronounced good, Jesus Christ just before dying proclaimed the word τετέλεσται (Jn. 19:30) which means “It is finished.”  The work He thereby proclaimed finished was the work of redemption, the work of propitiation, the work of Atonement, the work made necessary by man’s fall into sin.  Then on the day corresponding to that in which God rested from His work of Creation, His body rested in that borrowed tomb.

 

Last week was Holy Week, the week in our liturgical Kalendar devoted to special remembrance of this week of Gospel events.  It began with Palm Sunday, in which palms are waved and hosannas shouted in commemoration of Christ’s Triumphal entry.

 

On Maundy Thursday we were reminded of the Last Supper where the Sacrament of Holy Communion was instituted, where the New Commandment, “A new commandment I give unto you, That ye love one another; as I have loved you, that ye also love one another” (Jn. 13:34), so like those with which the Lord summarized the Law and yet so different at the same time, was given, and where the Lord Himself set the example of this by washing His disciples’ feet, an act ritually re-enacted on the day which takes its name from the Commandment. 

 

On Good Friday the Crucifixion itself was the focus.  In outward appearance, this was the opposite of the Triumph at the beginning of the week.  Instead of “Hosanna”, the crowd cried “crucify Him”, instead of riding into the city He had to carry His cross out of it.  Beneath the outward appearance, of course, this was His true moment of Triumph.  He had told His disciples from the moment St. Peter had confessed “Thou art the Christ, the Son of the living God” (Matt. 16:16) at Caesarea Philippi that this would come, that it was for this purpose that He entered into the world, that this is what it truly meant for Him to be the Christ.  He had not come to bring political deliverance to the Old Testament nation, but to bring deliverance from the slavery into which the Fall of Adam had delivered all mankind, slavery to sin and death, and He could only do this by suffering and dying Himself.  Since St. Anselm, we in the West have tended to think of this primarily in terms of the payment of a debt.  Man owed a debt but had no resources to pay, God had the resources but could not pay the debt qua God, so He became Incarnate as a Man and the God-Man paid the debt on behalf of the world.  In the East, they tend to think of it more in terms of a hostage situation in which Death, man’s enemy, has held him captive and Christ, Who is stronger than Death and over whom Death has not even the usurped claim due to sin, allowing Himself to be taken by Death so that He could destroy Death from the inside and set the captives free.  Both ways of thinking about it are taken from Scripture.  Ultimately, Charles Wesley spoke for Christians East and West when he put it “Amazing love! How can it be, that Thou my God should die for me!”

 

Holy Saturday commemorates both the resting of His body in the Grave and His Descent (as Conqueror) into Hell.  Traditionally, the second of these themes received more emphasis in the liturgy of Holy Saturday.  That this is not the case today (2) is in part due to unfortunate liturgical revisionism that has been influenced by the even more unfortunate theological revisionism which is squeamish about anything having to do with Hell. (3)  The other part is that often the only service on Holy Saturday is the evening vigil which begins with the Holy Saturday themes but moves into the theme of the Resurrection.  The evening of Holy Saturday is, by the reckoning of time established in the week of Creation (4), part of the following day.

 

That following day, of course, is the most important day of celebration in the Christian Kalendar.  In the English-speaking world we call it Easter, similar to how the Germans call it das Ostern.  Those silly and foolish individuals who come creeping out of the woodworks around this time each year to denounce the celebration as “pagan” get most of their mileage out of this name.   Even if, however, their questionable etymology of the word were to be proven correct, their argument is still nonsense because the thing itself, the feast day, was around long before this name got attached to it. 

 

The Hebrew word פסח (Pesach) is the name of the most important feast day of the Old Testament religion.  It is called Passover in English and it is the day on which the Israelites remembered their deliverance from slavery in Egypt as told in the book of Exodus. By the time of the New Testament the Israelites were speaking Aramaic more often than Hebrew and in Aramaic פסח took on a final aleph to become פסחא.  In Greek, the language in which the New Testament was written and the primary language of the Church in the earliest centuries, this was transliterated into Πάσχα and at least as early as the second century this term was used for the Christian feast as well.  It retained this name in the North African/Western part of the Church where Latin superseded Greek as the primary language and in Latin it is spelled Pascha.  To this day, in the vast majority of languages the feast called Easter in English is called Pascha or some variation thereof and even in English we use the adjective “Paschal” to refer to things pertaining to Easter.

 

The history is clear.  The holiday did not begin as a pagan feast named Easter that was appropriated by the Church but as the Christian Passover.  This remains the essence of the feast regardless of what other names derived from the time of year in which it occurs became attached to it later in countries with Germanic languages.

 

Our silly and foolish friends if they are capable of pursuing their case any deeper than the superficial argument about the name may point out that the authorization for the Old Testament Passover, along with detailed instructions as to how to keep it, came directly from God, and ask where the similar authority for a Christian Passover is to be found.  The answer lies in what the New Testament teaches about the relationship between the events commemorated by the Old Testament Passover and those we commemorate in Holy Week leading up to Easter.

 

According to the New Testament, most especially the book of Hebrews, the Old Testament consists of types which prefigure or foreshadow the Gospel.  The blood sacrifices of the Levitical system were types of the sacrifice of Jesus Christ, the Lamb of God, Who takes away the sin of the world.   The earthly Tabernacle/Temple was a figure of the Heavenly Tabernacle made without human hands.  Other examples, not spelled out the way these were in Hebrews, are just as clear.  Moses, for example, the Law-Giver, was allowed to lead the Israelites up to the Promised Land but he was not allowed to lead them in, that role was given to Joshua (5) in which can be seen prefigured everything St. Paul had to say, which was a lot, about how the Law cannot make one righteous before God, only the grace brought by Jesus Christ can do that.

 

The Old Testament Passover commemorated Israel’s deliverance from Egypt.  Israel had gone down into Egypt during the years of famine in which Joseph was the highest official in the land under Pharaoh whose favour he enjoyed.  They remained there four hundred years after which another Pharaoh, who feared rather than favoured the growing nation, had them enslaved.  Moses, Hebrew born but adopted into Pharaoh’s family, met God in the wilderness Who told him that He was sending him to Pharaoh to plead for Israel’s deliverance.  Multiple times Moses and his brother Aaron entered Pharaoh’s court with God’s demand that His people be set free, each time Pharaoh refused and a new plague fell upon Egypt.  In the final plague, the angel of death was sent to take the firstborn of every family in Egypt – only they, to whose door posts and lintels the blood of the Passover lamb had been applied, i.e., the Israelites, were spared.  Pharaoh then commanded Moses to take the Israelites and leave, only to change his mind again once they were gone and pursue them with his army to the Red Sea.  God opened a pathway for the Israelites through the Red Sea, then brought the waters down on the Egyptian army.

 

This entire event forged Old Testament Israel’s identity as a nation.  It also prefigured another, greater, deliverance.  The salvation of which the Exodus was but a type was not a deliverance from physical servitude but of spiritual servitude to sin.  Nor was it merely the deliverance of a nation but of the entire world.  This is the salvation accomplished by Jesus Christ on the Cross which event took place on the Old Testament Passover.

 

Since that of which the Old Testament redemption of Israel was a shadow has come to pass, we who believe in Jesus Christ look back to that rather than to the shadow.  That there would be an annual Christian Passover celebrating Christ’s redemption of mankind was settled very early in the Church.  When it is first mentioned as such in the writings of the second century, it is treated as having been long established.  This would imply that it is Apostolic in origin and, indeed, the Apostles were barely in their grave before a dispute arose not over whether there should be a Christian Passover but over when it should be held. (6) Those who held the Quartodeciman position argued that the Christian Passover should fall on the same day as the Jewish Passover (the fourteenth of Aviv/Nisan on the Hebrew calendar), others held that it should fall on the Sunday after.  Although the sides in the controversy tended to fall along regional and ethnic lines, there is clearly an underlying theological issue here of whether the Crucifixion or the Resurrection takes precedence.  The first ecumenical council of the Church, which met at Nicaea in 325 to address the heresy of Arianism, also ruled on this matter.  Ruling against the Quartodecimans the council determined that the Christian Passover would be held on the Sunday that follows the first full moon on or after the spring equinox. (7) 

 

The ruling of Nicaea I made it clear that the Christian Passover would be a commemoration of the Resurrection rather than of the Crucifixion although by this time Holy Week was starting to take shape with Good Friday being already firmly established. (8)   In this, can be seen a parallel to the decision made by the Apostles that the Church would meet on Sundays rather than on the Sabbath (Saturday).  That this decision was made, we know from the New Testament in which the Church is depicted as meeting on Sunday (Acts 20:7, 1 Cor. 16:2). Although neither the decision itself nor the occasion for it are recorded, the reason why Sunday as opposed to say Monday or Wednesday, was selected is quite obvious.  The Sunday after Christ was crucified on the Old Testament Passover, the women among His disciples went to the tomb to complete the burial which had been done in haste due to the onset of the Sabbath.  They found the stone that sealed the tomb rolled away, the grave clothes in which He had been buried folded up and empty, and an angel there to tell them that He was not there, He was risen.

 

The importance of Christ’s Resurrection cannot be overstated.  St. Paul explains it exquisitely in the fifteenth chapter of his first epistle to the Corinthians.   Against those who took the Sadducees’ position that there will be no Final Resurrection, He argued that if the dead do not rise then Christ is not risen, and if Christ is not risen we are without hope, but that since Christ is risen, then we know that the dead will all rise.  We are all dead in the first Adam because the sin by which he brought death into the world passed from him to all of us bringing death along with it.  Christ underwent death for us that He might remove the sting of death which is sin.  His victory over this final enemy is our victory, in Him, the last Adam, we are made alive.  His Resurrection was the firstfruits of the Resurrection in which we one day will all fully share even as we are to participate in it even now by walking in newness of life by faith.  His Resurrection, while in the same body in which He had died – He displayed the scars in His hands and side to His disciples – was not to the same life that He had left behind in dying, but to a new and higher kind of life which death can never touch.

 

In this we have a clue as to why the day of the week on which Christ rose was so important to the early Church that they set it both as their weekly day of corporate worship and the annual Christian Passover.  In the New Testament it is called the “first day” with reference to the week that follows.  The early Christians, however, also called it the “eighth day” in reference to the week which preceded it.  The week signifies the week of Creation, and, as we have seen above, this was especially true of the week of Jesus’ life and ministry on which the Gospels concentrate, the week we remember in Holy Week. What then does the eighth day that follows the seven which signify the Old Creation signify?

 

One early Christian writer described it as “a beginning of another world” (9).  St. Augustine argued that the Sabbath day of rest of the Decalogue was but a figure of the eternal rest to which the eighth day, revealed to the Christians in the Gospel, looks forward. (10)  The eighth day, then, is the day which comes after the seven of the Old Creation, the day of the New Creation, the life of which Jesus entered in His Resurrection, and in which we can share even before our own resurrection on the Last Day because we participate in His life as members of His mystical body, the Church.

 

How appropriate and how utterly unpagan is that annual Lord’s Day of Lord’s days, the Christian Passover of Easter in which after the reflection on our sin and mortality in Lent, culminating in our remembrance of the week which led from the Triumphal entry to Golgotha and the tomb, on the eighth day we joyously proclaim He is risen!


He is risen indeed.

 

Alleluia!

 

 (1)   The two Kingdoms of Death are the Grave in the collective sense, the place where the body is placed, and Sheol/Hades/Hell, where the spirits of the dead go.  When Jesus died on the Cross, His divine nature remained united to both His body in the Grave and His human spirit in Hades.  Jesus’s death, like any other human death, separated His human body from His human soul.  It could not separate either from His deity.  The Hypostatic Union in which the Eternal Son of God received a full and flawless human nature into His Eternal Person in the womb of the Virgin Mary the moment she said “Behold the handmaid of the Lord; be it unto me according to thy word” (Lk. 1:38) can never be broken.

(2)   In the West.  In the East, the Descent into Hell is still very much the focus of the liturgy of Holy Saturday.  Due to the difference between the Gregorian and Julian calendars, of course, the Eastern Holy Saturday and the Western Holy Saturday do not fall on the same day.

(3)   The Hell in the Descent into Hell, is the Hell referenced in note 1, vide supra, and not Gehenna, the place to which those who render themselves incurably wicked by rejecting Jesus Christ will be condemned at the Last Judgement.  That Christ did indeed descend there as confessed in the Apostles’ Creed is Scriptural despite the claim of certain evangelicals to the contrary.  St. Peter, in his sermon on the first Whitsunday (Christian Pentecost), quoted Psalm 16:10 and applied it to the Resurrection of Jesus Christ (Acts 2:25-31).  If the Resurrection fulfils “thou wilt not leave my soul in hell”, then Hell, again Sheol/Hades, is clearly where it was prior to the Resurrection.  There is no conflict here with Christ’s words to the dying thief “Today shalt thou be with me in Paradise” (Lk. 23:43).  Paradise is wherever Jesus Christ is.  On the original Holy Saturday, Hell itself was Paradise.

(4)   “And the evening and the morning were the first day” (Gen. 1:5)  It is because of this pattern in the Creation account that days in the sacred Kalendar of Christianity are counted sunset to sunset, as they are in the corresponding sacred calendars of Judaism and Islam, regardless of how days in the civil calendar are counted (midnight to midnight).  In the Bible itself, this is the one of three ways of counting days, and certainly the primary way in the Old Testament.  The other two are to count from sunrise to sunrise (morning/evening rather than evening/morning) and to count from midnight (only St. John does the latter, which is why the hours during the Crucifixion account in his Gospel differ from those in the Synoptics, which count from sunrise).

(5)   Joshua is the English spelling of a Hebrew name which, taken from Hebrew into Aramaic then Greek, becomes the name of which Jesus is the English spelling.

(6)   According to Eusebius the controversy broke out as early as the time of St. Polycarp, the bishop of Smyrna in what is now Turkey and personal disciple of St. John the Apostle who was martyred around the middle of the second century.

(7)   This calculation formula translates the date of Passover in the Hebrew lunar calendar (Aviv/Nisan is the month of spring, the fourteenth is the Ides or full moon of the month) into an approximation in the solar calendar.

(8)   The commemoration of the Crucifixion on the Friday prior to Pascha/Easter is referenced as early as Tertullian.  The name “Good Friday”, of course, came much later. Note that this was no concession to the Quartodecimans.  The 14 of Aviv/Nisan in the Hebrew calendar, like the dates on the civil calendar, move across the week from year to year.  Commemorating the Crucifixion on the Friday before Easter, follows from commemorating the Resurrection on the day of the week on which it occurred.

(9)   The Epistle of Barnabas, 15.

(10)                       St. Augustine, Letter 55, 12-13.

Friday, March 27, 2026

Musical Conversations

The other week a colleague joked about my “out of date” taste in music.  It was five hundred years old he said.  I found this highly amusing.  I had been listening to the symphonies of Beethoven.  Beethoven’s Symphony No. 1 in C major was first performed in Vienna in 1800.  His Symphony No. 9 in D minor, the fourth movement of which contains the famous choral setting of Schiller’s Ode to Joy and which set nine as the informal upper limit for symphonies for future composers, (1) was first performed in Vienna in 1824.  Each of these, in other words, dates to the century before the last rather than five centuries ago.

 

Unintentionally, however, my friend illustrated the very point that I made in answer to him.  If the difference between the sixteenth and nineteenth centuries is that irrelevant then the music in question cannot be tied to the era that produced it in the sense his criticism suggests. Classical music in the broad sense of the term can never be out of date because it is timeless.  This is, indeed, what the term classical implies when used of this kind of music.  This is why it persists as its label despite the potential for confusion (2) even though attempts are periodically made to find another.

 

Classical is not the only kind of music that possesses the quality of timelessness although it has a firmer title on it than any other.  There is a type of music, by contrast, that is notoriously time-bound.   That is the type of music that we usually refer to as pop.

 

Note that while pop is short for popular, pop music and popular music are not the same thing.  Popular music is the traditional complement to classical music.  It covers any kind of music that belongs to the popular or common culture through which a society’s identity is expressed, maintained, and transmitted.  Classical music belongs to the other kind of culture which rather than being inward-focused on group identity is outward-and-upward-focused on external reality and such things as Goodness, Beauty, and Truth.  Both kind of culture are necessary to have civilization and in a healthy society they have a symbiotic relationship in which each informs and draws from the other.

 

If popular music can be described as the music of the natural popular culture of a society, pop music is music that is artificially created and imposed upon the popular cultures of man societies.  While pop is sometimes thought of as one of many genres of music, like jazz, rock, and country, it is something else.  It is what you get when you apply the principles of industrialization - mass-production, mass-marketing, and mass-consumption - to music.  This is why it is dates from the moment it is created like no other kind of music is.  Everything produced and marketed for mass consumption has a shelf-life.  This is called planned obsolescence.  It is an inevitable consequence of mass production.  Unless you are producing something like food which cannot be used without also being used up, you will need to sell to the same customers over and over again, which means that you will either have be constantly redesigning and, at least in theory and the perception of your customers, improving your product or you will have to make an inferior product that wears out and needs to be replaced. The same principle by which automobile manufacturers and software companies operate applies to pop music which is why when you hear pop it you can usually tell the decade and often the very year it was recorded.

 

Timelessness on the one hand and being intentionally dated on the other are not the only ways in which classical and pop are each the antithesis of the other.  This is one of many reasons why the widespread notion that the relationship between the two is that of two different genres is utterly silly.  Neither classical nor pop is a genre, they differ from each other in kind at a far deeper level than that.  That this is so can be seen in the fact that both classical and pop each have their own genres and the nature of the genres of classical is very different from the nature of the genres of pop.

 

Since pop music is not itself a genre of music, but a category defined by how it is made and consumed, its genres are the different kinds of popular music to which the process of producing pop has been applied.  This process could in theory be applied to any kind of music, but some kinds of music are more susceptible to it than others.  Classical music is the most inoculated against it.  The closest thing to a pop version of classical would be something like a greatest hits collection of arias sung by the Three Tenors.  When a previous kind of popular music is turned into pop this creates a distinction between its traditional form and the form that is subsumed under pop as a genre.   The kind of traditional popular music that is most comparable to classical music in terms of musical depth, its extensive repertoire of strictly instrumental pieces, and how it is listened to is easily jazz which some think ought to be classified as classical rather than popular.  There is a pop version of jazz, although traditional jazz purists reject is as being real jazz, and it has a fairly wide reputation for banality. (3)

 

What I just said about traditional jazz purists is, of course, true of purists of any form of traditional popular music.  In the case of country and western music the associations that issue honours and awards have long tried to act as gatekeepers by granting minimal recognition to anyone who was come over to country from pop and shunning those who have gone the other direction in a way that would put the strictest Mennonite sects to shame. (4) These, however, are thinking of the distinction in terms of style and genre.  Although country and western has a traditional form that predates pop music in the sense we are using the expression here, its development from older forms of folk music in the American South was contemporaneous with the earliest phase in the conversion of music into a market product for mass consumption, the rise of radio.  While if you were to spend an hour or so listening to Hank Williams Sr., George Jones, Tammy Wynette, Johnny Cash, Claude King, et al, and then spend the same amount of time listening to whoever currently tops the charts on contemporary country radio, the difference will be obvious and the music of the second half of the experiment will likely sound like it has more in common with whatever is playing on the pop stations, albeit with a twangier sound and sung by somebody who is more likely to be wearing a cowboy outfit, than it does the music of the first half of the experiment.  That having been said, the irony is that those who would appear to us as the traditional country artists in this comparison, themselves for the most part – I think Hank Williams Sr. is the only real exception among the examples given - had their careers entirely in the period in which country music was indistinguishable from pop in terms of being a market commodity.  The C & W gatekeepers, therefore, are not so much traditionalist purists, as those interested in protecting the product of the Nashville brand of the industry from the Los Angeles brand.  

 

There are, of course, plenty of kinds of pop music that do not have traditional forms to contrast with their pop forms because they were created as pop music.  Obvious examples include any kind of music with words like “electro” or “techno” in the designation.  A more interesting case is that of rock music.  Like these later kinds, rock does not have a traditional, pre-pop form, although it has traditional roots in that as with its slightly older immediate predecessor rhythm and blues, older forms of popular music such as blues, jazz, and country were utilized like raw materials in its construction.  Unlike the types of later pop that wear their mechanical artificiality on their sleeves, rock, which when it first appeared as rock ‘n’ roll was largely coextensive with pop, has strove ever since to forge an identity that would distinguish it from pop.  Since rock’s identity both within pop and in the space it has carved for itself outside pop, is that of the voice of the rebellion of the young and ignorant, its non-pop form is not properly thought of as traditional rock but as the very antithesis of the traditional forms of other music that has been popified.

 

One thing that stands out about these different genres of pop music is that while they are quite distinguishable in style they are generally identical in form.  There are exceptions of course, but genres of pop music usually consist entirely of songs (5) which, while they vary in length, hover around a standard average length that not-coincidentally is that which is most accommodating for radio play.  Here is where the huge contrast between the genres of pop and the genres of classical is most evident.

 

Within classical music, genres are distinguished from each other in form as well as style.  Songs, although they may be incorporated into other genres such as arias in opera for example, are but one of many genres and far from the most important.  Other genres include but are far from limited to opera which consists of theatrical productions set to orchestral music in which the dialogue is entirely or almost entirely sung, oratorios such as Bach’s St. Matthew’s Passion or Handel’s Messiah which are similar to operas but are not acted out, symphonies which are multi-movement (usually four) pieces composed to be performed by a full orchestra and which may or may not include singing, concertos in which either the orchestra or a smaller musical group provide accompaniment to the lead instrumentalist(s), chamber music which is itself more a genre of genres consisting of various types of pieces written to be performed by smaller instrumental ensembles such as a string quartet, ballets which as a music genre accompany the dances of the same name (Tchaikovsky’s Swan Lake and Nutcracker Suite for example), and incidental music written to be the background accompaniment to an ordinary theatrical play (Mendelssohn’s wrote such music for Shakespeare’s A Midsummer Night’s Dream twice, his famous “Wedding March” (6) comes from the second version). 

 

It is pop music’s fundamental nature as the music manufactured for mass consumption that both limits it for the most part to a single form, with multiple styles and stamps it with a sell by date.  Since pop comes off incredibly poorly in these comparisons with classical, it is important to review at this point what we are arguing for and against, lest this come across as mere pop bashing.  We began by arguing for the timelessness of classical music against my friend’s dismissal of it as “old”, which led to the observation that pop is the kind of music that is dated out of necessity.  This in turn led to the comparison of how pop genres differ from classical genres, which was made in argument against a widespread but silly idea that pop and classical are themselves two genres or styles.  One of the unfortunate consequences of this silly idea is that it misleads people into thinking that they should seek the same kind of listening experience from both.  Someone who wishes to enjoy both pop and classical, however, needs to understand that they differ at a far more fundamental level than genre and that they are not intended to be listened to in the same way.  Pop music is designed to produce immediate and easy enjoyment.  It is the music of instant gratification that offers pleasure while making no demands.  Classical music requires something of you – the commitment of time, contemplative silence, and effort to actively listen – before it yields its rewards.  Yes, here too, pop comes off poorly in comparison to classical, but remember that the point is that there is nothing preventing you from enjoying both, provided you keep the difference in mind and listen to both accordingly.  A far more devastating comparison would be between pop music and traditional popular music, since pop essentially subverts popular music from doing what it is supposed to do.

 

That however, is a comparison to be explored in depth at another time.  Here I will introduce my third and final argument, by referring to another conversation of about a half a year ago.  I was introduced by another friend to someone he knew from seminary (a different one from the one I had attended).  Somehow the topic of music came up.  I think perhaps that I had been asked what my interests were after having expressed zero interest in any of the varieties of sportsball.  My friend’s friend recounted how when he was in seminary, his professors had warned about the evils of rock music and praised classical, and had then talked him into seeing an opera.  The opera he went to, however, was filled with masonic and occult symbols and basically the sort of thing that his professors, who were there watching and applauding, had warned about in rock music.  Asked if I knew which opera he was talking about, I answered “Die Zauberflöte” and was extremely amused to get the response “No, it was ‘The Magic Flute.’”

 

I did not bother to try and mount an argument about how the music of Wolfgang Amadeus Mozart was so inspired that it could elevate the spirit even when attached to subject matter completely unworthy of it as was the case with his last opera in whatever language you render its title.  If he did not already know this from the music itself, he is highly unlikely to learn it from anything I might tell him.  This conversation did, however, provide some insights about notions concerning music that are widespread in certain Christian circles and in expounding those insights I will come around to making that argument.

 

Many evangelical Protestants think that there is this sharp divide between the lyrics that are sung to music and the music itself and that the only thing that a Christian could reasonably object to in any music is the content of the lyrics.  A Christian, according to this way of thinking, and I use that term loosely, can legitimately object to a song that glorifies extramarital sex, violence, drug abuse, rebellion against parental and other lawful authority, crime, and the like, on moral grounds, but if the words are removed, can have no objection to what remains except insofar as it may bring to mind the absent lyrics.  For some evangelicals even this is too “judgemental.” 

 

The origins of this attitude are not difficult to explain since it is obviously a specifically evangelical version of the phenomenon in the wider culture of young people dismissing any criticism of their music from older generation.  The evangelicals who hold this view are responding to what might be called the fundamentalist approach which is to issue broad sweeping condemnations of pretty much every kind of music introduced since the 1950s as the devil’s music.  In the conversation I just related, my interlocutor can be taken as representative of the evangelical attitude and his professors of the fundamentalist.  Those holding the evangelical attitude regard theirs as the more intelligent of the two and speak smugly of those who hold the fundamentalist view.  I have known this to be inevitably the case and could fill the space I have allotted to this essay entirely with examples.  The smugness, I regard as entirely unwarranted.

 

It is easy to be smug about the fundamentalist view.  Sweeping blanket condemnations are difficult to defend intelligently precisely because they avoid making the distinctions that are the mark of intelligent criticism.  The evangelical position, however, is not that the fundamentalist view is too uncritical but rather that it is too critical, too judgmental.  The idea that the lyrics of a song might be objected to on moral grounds, but that the music itself cannot ignores the fact that aesthetic judgement, which evaluates the quality of art, is itself a form of moral criticism.  We don’t often think of it that way, but the standard for traditional aesthetic judgement is beauty, which belongs to the same part of the order of reality as goodness, the basis of moral criticism, and which is arguably goodness itself applied to the area of sensual appearance. (7)  Music, of course, is art made from sound and so is experienced audibly, as opposed to painting, sculpture, and other forms of art that are made to be experienced visually.  The evangelical view requires that such considerations be swept aside entirely and comes close to embracing, at least in the realm of philosophical aesthetics, an extreme subjectivism approaching nihilism that evangelicals, in theory at least, would reject in other realism.

 

What I have dubbed here the evangelical view, although the more conservative of self-described evangelicals sometimes approach what I have called the fundamentalist view, has in a way that is both interesting and revealing, been subjected to practical testing.  The music industry, taking the idea that music that Christians might object to on the grounds of the content of the words can be rendered “Christian” by substituting Christian lyrics – in the case of the group ApologetiX there is an extra dimension of literalness to this description because they basically do what “Weird Al” Yankovic does and substitute their own lyrics to well-known tunes – began producing “Christian” versions of rock, heavy metal, rap and pretty much any other kind of pop music to sell to the niche market of Christian youth.  This is collectively called CCM – Contemporary Christian Music.

 

Note that I used the word “pop” rather than “popular.”  This is because this could only be done with industry-produced music.  It would be absurd to try and create an artificially “Christian” version of traditional popular music because within such music sacred and even Gospel themes always had a natural place integrated with more this-worldly themes.  When, in 1938, Louis Armstrong recorded his jazz orchestration of the spiritual “When the Saints Go Marching In” nobody lifted an eyebrow.  It fit in with the rest of his repertoire naturally and the song has long been a jazz staple.   Indeed, you might find it easier to list the spirituals of this sort that did not become part of the standard jazz repertoire than those that did.  Nor do these comprise the entirety of the sacred element of traditional jazz.

 

Similarly when Hank Williams Sr. wrote and recorded “I Saw the Light” in 1946, it may have conflicted with his lifestyle but certainly not his music.  Indeed, country music would be completely unrecognizable from what it actually is, had Gospel themes not been there all along beside the prison, train, literal cowboy, drinking, pick-up truck, and cheating themes. (8)  Try to imagine Johnny Cash or Dolly Parton without the religious dimension of their music.  Tennessee Ernie Ford would have been almost reduced to a one-hit wonder.  Even today, long after county became largely popified, the biggest hit to date of Blake Shelton, currently married to pop star Gwen Stefani, is his 2019 “God’s Country”, a song about farm life that is packed with references to church, piety, and other similar themes. 

 

We have seen that rock music began within the sphere of pop music as rock ‘n’ roll in the 1950s and then sought to establish a non-pop identity after the fact.   The early rock ‘n’ rollers came from other kinds of music that had a traditional sacred side.  In the case of Elvis Presley, he had strong roots in Gospel music and was indistinguishable from the country artists mentioned in the preceding paragraph in that he continued to sing and record Gospel to the very end of his life.  While he was not absolutely alone in this, he was far from being the norm either for part of rock’s quest to establish its own identity was to jettison the sacred element of the raw materials it drew from and to emphasize the elements that were least congruent with Christian faith.   Therefore, when the first “Christian rock” was made in the late 1960s, in was in accordance with the CCM model of imposing an external Christianity on a music that had become foreign, and in many cases, hostile to Christianity. (9)  The late Sir Roger Scruton wrote:

 

Recent criticism has paid much attention to the words. These often dwell on violence, drugs, sex and rebellion in ways that lyricize the kind of conduct of which fathers and mothers used to disapprove, in the days when disapproval was approved. But these criticisms do not, I think, get to the heart of the matter. Even if every pop song consisted of a setting of Christ’s beatitudes (and there are born-again groups in America - ‘16 Horsepower’ is one of them - that specialize in such things), it would make little or no difference to the effect, which is communicated through the sounds, regardless of what is sung to them. The only thing that is really wrong with the usual lyrics is what is really right about them - namely, that they successfully capture what the music means. (10)

 

What I have argued above concerning traditional popular music, that in it sacred themes traditionally and naturally have their place alongside non-sacred and so do not need to be artificially imposed on it the way it does on mass-produced pop music and on the anti-tradition of rock the way it is in the CCM model, is all the more true of classical music.  Sacred music is the very foundation on which the classical music tradition is built.  Plainsong, the unaccompanied simple melodies to which the liturgy was chanted in the Western Church of the first millennium of which the best known version is Gregorian chant, developed into organum by the addition of a harmonizing voice, which opened the door to more complex forms of polyphony which while it initially met with resistance from Church authorities due to concerns that it would place the text of the liturgy beyond comprehension eventually won acceptance.  The early history of classical music is the history of sacred music and after the Renaissance brought a renewal of interest in themes from pre-Christian antiquity and the Reformation brought about a breach in the external unity of the Western Church, the sacred remained at the heart of the classical tradition.  Mass settings written to accompany the singing of the ordinaries - the unchanging parts - of the Eucharistic liturgy (11) were written by all the major composers including the Lutheran J. S. Bach (Mass in B Minor) and Beethoven who wrote two (Mass in C Major and Missa Solemnis) despite having imbibed the rotten ideas of the so-called Enlightenment.  Oratorios, while usually written to be performed in the concert hall, were largely devoted to religious themes as in the examples already provided to which countless others such as Haydn’s Creation and Beethoven’s Christ on the Mount of Olives could be added.

 

Even more so than with traditional popular music, sacred music is integral to the classical music tradition so as to make the idea of “Christian classical music”, that is, a classical music upon which Christianity has been imposed from the outside, absolutely absurd.  Indeed, with classical, at least traditional as opposed to avant garde, we have the reverse of the situation with pop music and the CCM model.   I don’t know why the fundamentalist professors chose The Magic Flute as the work to introduce their students to classical music with.  BWV 1: Wie schön leuchtet der Morgenstern (How Beautifully the Morning Star Shines) written for both Palm Sunday and Lady Day which coincided at its first performance or BWV 82: Ich habe genug (I am content), a setting of Dr. Luther’s translation of the Nunc Dimmitis written for Candlemas or any other of Johann Sebastian Bach’s over 200 sacred cantatas would have been a better choice for the point they were trying to make.  Nevertheless, just as Sir Roger Scruton said that it is the usual and not the “Christian” lyrics that express the meaning of pop music, so the nature of classical music, especially in the hands of a true master like Mozart, is such that story and symbolism of his final opera can hardly be said to express its true meaning.

 (1)   More accurately, Gustav Mahler set the limit by claiming the ninth symphony to be cursed to be a composer’s last (as it was in his case as with Beethoven).  Joseph Haydn under whom Beethoven studies composition, wrote 106 symphonies.  “The Jupiter”, the final symphony of Haydn’s contemporary W. A. Mozart, is his 41st.

(2)   With the subcategory that is called Classical to distinguish it from say the Baroque or the Romantic.  Haydn, Handel, Mozart and Beethoven are the names most associated with Classical proper.

(3)   Think of the kind of music that in popular stereotype  you are likely to hear when put on hold, or waiting in an elevator, or playing in the background in a large semi-fashionable department store of the type that are now mostly obsolete.

(4)  See the discussion of this in Ray Stevens’ memoir, co-written with C. W. “Buddy” Kalb Jr., Ray Stevens’ Nashville (2014).  Although Stevens’ roots are country (he grew up in Clarksdale, Georgia), early in his long career moved to Nashville, and ages ago earned his reputation as the “Clown Prince of Country Music”, his earliest recordings were released as pop.  He was not inducted into the Country Music Hall of Fame until 2019.

(5)   A song, as evident from the noun’s etymological relationship with the verb sing, is a short piece in which words are sung.  In a song, the instrumental accompaniment is supposed to back and support the voice.  A song can be sung without accompanying music.  This is called a capella style.  The opposite, where the instrumental part is performed and/or recorded without a voice, is also usually called a song by extension, although it does not technically fit the definition.  Karaoke, in which a machine plays the music and you sing the words yourself, is one reason why this would be done.  Sometimes an ensemble might think a song sounds better without the words and record it that way.  This is quite rare in most forms of pop music because it conflicts with the whole making an idol out of the singer which is part of its modus operandi – think of the talent search shows that conspicuously advertise this in their titles – although it is not uncommon in pop jazz.  Since this is a note and not the body of the essay, I will provide an example that is not relevant at all but which I find amusing. In 1965 Herb Alpert and the Tijuana Brass Band recorded the pop jazz “Spanish Flea” which became a bit hit. It had been written by the group’s percussionist Julius Wechter whose wife had written the lyrics.  The band, however, recorded it as an instrumental piece – at that point in time they rarely recorded any other way.  For a lot of people, their first encounter with the lyrics came in an unusual way. In an early episode of The Simpsons, “The Otto Show” which aired in 1992, Bart and Milhouse attend a concert of the parodic heavy metal band Spinal Tap that had appeared in a number of comedy venues and was featured by the late Rob Reiner in his 1984 mockumentary This is Spinal Tap (Harry Shearer, the voice of numerous Simpsons characters, portrays the bass player).  A riot breaks out but Homer, who had driven the kids to the concert and is waiting in the parking lot, is oblivious to what is going on even though the SWAT team descending on the rioters are visible all around him.  He is sitting in his car singing along to “Spanish Flea”.  That this song would not be likely to drown out a heavy metal concert or a SWAT-suppressed riot is the part of the joke everyone would be expected to get.  There is another part, however, in that while Homer could easily be assumed to be improvising based on the song’s title,  what he sings are the actual lyrics written by Cissy Wechter.

(6)   Mendelssohn’s is the older of the two most recognizable wedding marches.  He wrote his second orchestration of A Midsummer Night’s Dream in 1842.  The other most famous wedding march is the Bridal Chorus from Richard Wagner’s opera Lohengrin which was first performed in 1850.

(7)   For example, an argument for this point could start with the fact that beauty, goodness, and truth are categorized together as transcendentals, the properties of being.  Created being, however, ultimately points to its Creator, which is uncreated Being or God.  Uncreated Being differs from the being of His creation in several ways.  One is in created beings, essence, that which makes a created thing a certain kind of thing rather than a different kind of thing, and existence/being, which establishes a certain thing as a real example of its kind rather than merely the idea of it, are two different things.  In God, however, as our best theologians from St. Augustine to St. Thomas Aquinas to E. L. Mascall have argued, existence and essence are the same thing.  Another difference is that created beings are finite, uncreated Being is infinite.  These are ultimately, however, the same difference, because infinity cannot be divided, which is the flipside to the fact that no number of finites can be added together to produce infinity.  Expressed theologically, this is the concept of divine simplicity, the indivisibility of God (He has no parts, the three Persons of the Trinity are distinct in Person but are each the whole of the same God not parts which add up to God), which requires that His properties or attributes are themselves not parts of God, but the whole of Him.  In uncreated Being, therefore, Goodness, Beauty, and Truth are each the whole of Being.  While this is not the case in finite, created, being, it has long been the case in philosophy that goodness does double duty, both as the general standard by which judgements of good, bad, better or conversely bad, worse, worst are made, and as a more specific application of that general standard.

(8)  If some of these seem incongruent with the message of the Gospel, remember that in traditional country music these things are treated differently than they are in rock music.  Cheating, for example, is not glorified in country, more often it is avenged, or becomes the excuse for the drinking, which is a possible exception to my point in this note, except that country is generally honest about the self-destroying nature of such behaviour.

(9)   I will say, however, that the song that best expresses what in my opinion is the genuine Christian take on those who have started this insane and unnecessary war in the Persian Gulf that threatens to escalate into a third World War – the president of the country built on the foundation of liberalism, one of the twin evils of Modernity, the other being communism, and the prime minister of the country which many North American Christians with bad theology foolishly think they owe uncritical support to because it shares the name of the covenant people of God in the Old Testament – is one recorded decades ago by a heavy metal band that deliberately forged an opposite-of-Christian image of itself.  The song is Black Sabbath’s “War Pigs”, the lyrics of which while credited to the entire band were mostly written by bass player “Geezer” Butler.  The final stanza is the most relevant.  “Day of mercy God is calling/on their knees the war pigs crawling/begging mercy for their sins/Satan laughing spreads his wings”.

(10)                       Sir Roger Scruton, “The Cultural Significance of Pop”, https://www.roger-scruton.com/articles/31-understanding-music/175-the-cultural-significance-of-pop

(11)                       These are the Kyrie, the Gloria, the Credo, the Sanctus/Benedictus and the Agnus Dei.